Triennale Milano pays tribute to Ettore Sottsass

, Events and Exhibitions
Ettore Sotsass | Triennale | Casa Lana

Casa Lana © Triennale Milano – foto Gianluca Di Ioia

TRIENNALE MILANO PAYS TRIBUTE TO ETTORE SOTTSASS

After the 2017 monographic exhibition “Ettore Sottsass. There is a Planet”, Triennale Milano opens Sala Sottsass, on the first floor of the Palazzo dell’Arte.

Sala Sottsass houses the reconstruction and permanent exhibition of an interior of a private residence, Casa Lana, designed by Ettore Sottsass in the mid-1960s in Milan and now open to the public thanks to the donation of Barbara Radice Sottsass.

Triennale Milano pays tribute to Ettore Sottsass with the permanent exhibition in Casa Lana Continue reading

The vibrations of colour, Claudio Rotta Loria and Jorrit Torquist

, Contemporary Art, Events and Exhibitions
Jorrit Tornquist | origine della luce

Jorrit Tornquist, origine della luce, 1961

THE VIBRATIONS OF COLOUR, CLAUDIO ROTTA LORIA, JORRIT TORNQUIST

Two masters of colour, Rotta Loria and Torquist, are the protagonists of a double solo exhibition entitled “The vibrations of color”.
An exhibition that describes the research path involving visual perception, the influence of light and shadows on the artistic support and the importance of the study and design phase for each individual element generated by the creative process.

The vibrations of colour
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Exhibitions to see in Europe in 2022

, Events and Exhibitions

EXHIBITIONS TO SEE IN ITALY IN 2022

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This is the page dedicated to exhibitions to see in Europe in 2022.

Here you will find all the exhibitions, events and in-depth information to find out what there is to see and discover which events you should not miss.
Scroll through the list with all the latest news or click on one of the buttons at the top: exhibitions opening, exhibitions in progress, exhibitions archive.

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Mario Gatto and Puccini: the embrace of two artists

, Contemporary Art, Events and Exhibitions
Mario Gatto | Come il grano

Mario Gatto, Come il grano

MARIO GATTO AND PUCCINI: THE EMBRACE OF TWO ARTISTS BETWEEN THE CENTURIES

Few things shake you like a work of art, and even fewer challenge you in quite the same way: nowadays, coming to grips with an artist’s work is almost like coming to grips with what Mallarmé called the drama of the blank page. It is disorienting, disorienting … but exciting.

The exhibition of Mario Gatto‘s works at the Arte Spazio Tempo gallery in Campo del Ghetto Nuovo in Venice is a perfect example of how the contemporary visitor approaches art: They approach art with caution, intrigued but also intimidated, they enter on tiptoe, as if “NessunDorma” were a warning and not just a title, they examine each piece with a slightly questioning look aimed at searching for its hidden meanings and they move with a soft step, careful not to miss any detail of a story that the artist has skilfully woven together without pretending to understand it.

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