A symbol of an idea of what a Renaissance city should be, the famous image of the ‘Ideal City’, painted by an unknown artist between 1480 and 1490, at the court of Federico da Montefeltro, is a work that boasts two alternative versions, painted by other unknown authors or perhaps by the author himself.
This work is a symbol of the ideal Renaissance city, contrasting with the chaotic city of the Middle Ages, which appears before our eyes, and in all its vitality, in the urban view frescoed by Ambrogio Lorenzetti in the Palazzo Pubblico in Siena in 1337-1339.